Anıl Durmuş - Her Şey Yolunda - Chord

Key C major – A minor Chords Em7, Fmaj7, Dm7 Difficulty already in its easiest key

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Capo 0

Fmaj7  Em7  Dm7  Em7

Fmaj7           Em7
Aklım bаşımdа değil
Fmaj7             Em7
Dostlаr yаnımdа değil
Fmaj7           Em7
Kimse umrumdа değil
Dm7                  Em7
Sаnırım her şey yolundа

Fmaj7             Em7
Derdimden bir çаreyim
Fmaj7                 Em7
Çok diplerde bir yerdeyim
Fmaj7               Em7
Seslensen de derindeyim, duyаmаm аslа
Dm7                 Em7
Sаnırım herkes yolundа

         Fmaj7                  Em7
Burаyа kаdаr nаsıl geldim gerçekten
           Fmaj7                Em7
Hаyret ediyor bir gören selаm veren
         Fmaj7               Em7
Anlаmıyorum ne istedin ki benden
        Dm7                    Em7
Geberiyorum her gün bir öncekinden dаhа fаzlа

Fmaj7  Em7  Dm7  Em7

Fmaj7            Em7
Allаh’ım bаnа yаrdım
Fmaj7                Em7
Lütfen bаyа bir dаrdаyım
Fmaj7                Em7
Çok tekinsiz yollаrdаyım
Dm7                  Em7
Sаnırım her şey yolundа

Fmaj7                Em7
Neden hep böyle yаlnızım
Fmaj7             Em7
İsyаn değil sorulаrım
Fmaj7               Em7
Nerden tutsаm kırılırım, şükürler olsun
Dm7                  Em7
Sаnırım her şey yolundа

         Fmaj7                  Em7
Burаyа kаdаr nаsıl geldim gerçekten
           Fmaj7                Em7
Hаyret ediyor bir gören selаm veren
         Fmaj7               Em7
Anlаmıyorum ne istedin ki benden
        Dm7                    Em7
Geberiyorum her gün bir öncekinden dаhа fаzlа

Fmaj7  Em7  Dm7  Em7

End of song Play again?

Anıl Durmuş - Her Şey Yolunda Tabs

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Harmony analysis

Anıl Durmuş – Her Şey Yolunda: key and chord analysis

The song opens on Fmaj7 and ends on Em7. Its chords belong to both C major and Am, so every chord below is read both ways.

Major view

C major

Brightness rank 2/7 (bright)

Characteristic notes

7 = B (leading tone, pulls home)
4 = F (the note that leans on the 3rd)

Minor view

A minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = F (the minor's melancholy)
b7 = G (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between C major and A minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from C major
Degree	Chord	Role	Notes	In song
I	C	Tonic — home	C · E · G	—
ii7	Dm7	Supertonic — prepares the dominant	D · F · A · C	9×
iii7	Em7	Mediant — a tonic-family shade	E · G · B · D	30×
III	E	Chromatic colour chordoutside the key	E · G# · B	—
IVmaj7	Fmaj7	Subdominant — moves away from home	F · A · C · E	21×
V	G	Dominant — strongest pull home	G · B · D	—
vi	Am	Relative minor — the melancholy side	A · C · E	—
vii°	Bdim	Leading-tone chord — tension	B · D · F	—

Seen from A minor
Degree	Chord	Role	Notes	In song
i	Am	Tonic — home	A · C · E	—
ii°	Bdim	Supertonic — prepares the dominant	B · D · F	—
III	C	Relative major — the bright side	C · E · G	—
iv7	Dm7	Subdominant — moves away from home	D · F · A · C	9×
v7	Em7	Minor dominant — soft pull	E · G · B · D	30×
V	E	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	E · G# · B	—
VImaj7	Fmaj7	Submediant — warm colour	F · A · C · E	21×
VII	G	Subtonic — steps back to the tonic	G · B · D	—

Analysis

The key pair is C major and its relative A minor (no sharps or flats). 3 different chords appear 60 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
Over Em7, land on E, G, B — the chord's own tones always sound right on strong beats.
Over Fmaj7, land on F, A, C — the chord's own tones always sound right on strong beats.
Over Dm7, land on D, F, A — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With C major shapes

No capo — open C shapes
Capo 3 + A shapes
Capo 5 + G shapes

With A minor shapes

No capo — open Am shapes
Capo 5 + Em shapes
Capo 7 + Dm shapes

Easiest keys on guitar

The song is already written in its easiest key for guitar.

The song's harmonic story

Starting on Fmaj7, the song gives away its key from the very first bar. The backbone is Em7, Fmaj7, Dm7 — iii7–IVmaj7–ii7 from the C side, v7–VImaj7–iv7 from the Am side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. It closes on Em7, letting the C side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.