Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Ahiyan - İstemem - Chord
Key Eb major – C minor Chords Cm, Fm Easy key C (capo 3)
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Key: Eb | Cm
Capo: 0
Cm
Hissettiklerim kayıp, bu boşluk yanımda
Şarkılar silindi sözleri silindi
Gözlerim kurudu sardığım sarıdı
Dönmek istedim de yollarım yarıdı
Fm
Dostum tek başına düşmanım çete vesveseler alındı
Politik sanat dalında alıntı
Gerçeklik rolu yapar o stil
Cm
Sultanlık maskesi takan
Her gece yatan her gündüz sayılan
21 bayılan içinde büyüyen sıkıntı mayın serseri mayın
Fm
Underground reyim hep sokağa rehin
Bra no pain no gain her derdi konuştuk haınlk oluştu dayı
Resmiyet fail sözleşme fake
Cm
Siz terso dedikçe hepimiz ayık
Çalın toplayın kesin ıska payını
Söz konusu sanat olunca veto yer
Fm
Doğallık sisteme ters bütün sözcüler siyası tel çalar
İnsanlık dert cane o yangın değer her cana
Bana hayr diye topla çöpte dolu vereceğin, hassiktir
Cm
İstemem ondan gelen hayrı da
Fm
Olsun ayrı gayrı da
Takılmam hiç de ne dediğine
Cm
Unuturum, unuturum
Cm Fm Cm Fm
Ne biçim life
Sosyal bir do minör için de yalnızlık aynı
Klavye kırılsa akraba kaybı hissiyat daimi
Manevi baygın ruhevi kaygı parası ayrı
Kendimi harcadım daha yeni
Rüstemi sevgi üste kibarlık
Temizlik Hayri bireysel
Şerri toplumsal
"Ferdi istekler savaşı" - "Duvarsız Berlin"
“Taçsız krallık"
Ne biçim life
O biçim hainlik
Direniş aynı
Uyruk satar ya
İnsansız daha iyi
Pazarlık yok ya
İnsansız daha iyi
Kültürel ayrım
Negatif bayram
Cm
Herşeyi silmekte epeyce kararlıyım
Kendime kaldıkça ben de çok zararlıyım
Fm
Başa dönmekte ustalıkta ayrı yerdeyim
Yok maarifte hatalıyım ya
F
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Ahiyan - İstemem Tabs
NotesX
Harmony analysis
Ahiyan – İstemem: key and chord analysis
The song opens on Cm and ends on Fm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Minor view
C minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Ab (the minor's melancholy)
- b7 = Bb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because it opens on Cm and Cm is heard 8 times while Eb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | — |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | 7× |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | — |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | — |
| V | Bb | Dominant — strongest pull home | Bb · D · F | — |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 8× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 8× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | — |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | 7× |
| v | Gm | Minor dominant — soft pull | G · Bb · D | — |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | — |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | — |
Analysis
The key pair is Eb major and its relative C minor (3 flats). 2 different chords appear 15 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Fm Cm Ebii → vi Cmiv → iminor plagal ×6
The move to watch is Fm → Cm, heard 6 times. From the Cm side it is iv → i (minor plagal: deep and melancholic); from the Eb side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Eb major shapes
- Capo 1 + D shapes
- Capo 3 + C shapes
- Capo 6 + A shapes
With C minor shapes
- Capo 3 + Am shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 4 semitones up
The song's harmonic story
The first chord is Cm; the ear learns where home is within a second. The backbone is Cm, Fm — vi–ii from the Eb side, i–iv from the Cm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Fm → Cm (ii → vi in Eb, iv → i in Cm): minor plagal — deep and melancholic. It closes on Fm, letting the Eb side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Ahiyan - İstemem Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: AhiyanMusic: Ahiyan
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