Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Nova Norda - Dinozorlar - Chord
Key Bb major – G minor Chords Gm, Bb, C, Cm, Eb, A, Ab Easy key G (capo 3)
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Key: Bb | Gm
Capo: 0
Gm Bb
Bilmem ne kadar, ne kadarım yakalar
C Eb
bedenime komutan dinozorlar var
Gm Bb
Belki de bu kadar, bu kadarım yakalar
C
İçimde yaşayan filozoflar var
Gm Gm Cm Gm
Gm
Yine biri bizi gözetliyor
Cm
Herkes bilir ama söz etmiyor
Gm
Dile gelince biliyorum ki tökezliyor
Cm
Ruhum hissediyor hiçbir zaman pes etmiyor
Gm
Yine biri bizi gözetliyor
Cm
Herkes yavaş yavaş fark ediyor
Gm
Biri gelince biliyorum ki dank ediyor
Cm
Bir şeyler nüksediyor o sesler yükseliyor
Gm Bb
Kafamda dolanıyor o sesler
A Ab
Üzerimizde hayali gözler
Gm Bb
Dümdüzler bir de yüzsüzler
A Ab Gm
Düpedüz fosil onlar ölümsüzler sanma
Gm Bb
Bilmem ne kadar ne kadarım yakalar
C Eb
Bedenime komutan dinozorlar var
Gm Bb
Belki de bu kadar bu kadarım yakalar
C Eb
İçimde yaşayan filozoflar var
Gm Gm Cm Gm
Gm Bb
Yine biri bize biri bize
A Ab
Yine biri bize biri bize
Gm Bb
Kafamda dolanıyor o sesler
A Ab
Üzerimizde hayali gözler
Gm Bb
Dümdüzler bir de yüzsüzler
A Ab Gm
Düpedüz fosil onlar ölümsüzler sanma
Gm Bb
Bilmem ne kadar ne kadarım yakalar
C Eb
Bedenime komutan dinozorlar var
Gm Bb
Belki de bu kadar bu kadarım yakalar
C Eb
İçimde yaşayan filozoflar var
End of song Play again?
Nova Norda - Dinozorlar Tabs
NotesX
Harmony analysis
Nova Norda – Dinozorlar: key and chord analysis
The song opens on Gm and ends on Eb. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the G minor side because it opens on Gm and Gm is heard 23 times against 11 for Bb. That is an interpretation, not a rule — the same chords are just as valid seen from Bb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Bb | Tonic — home | Bb · D · F | 11× |
| ii | Cm | Supertonic — prepares the dominant | C · Eb · G | 6× |
| II | C | Chromatic colour chordoutside the key | C · E · G | 6× |
| iii | Dm | Mediant — a tonic-family shade | D · F · A | — |
| V/vi | D | Secondary dominant V/vi — leads to Gmsecondary dominant | D · F# · A | — |
| IV | Eb | Subdominant — moves away from home | Eb · G · Bb | 5× |
| V | F | Dominant — strongest pull home | F · A · C | — |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | 23× |
| bVII | Ab | bVII — borrowed (Mixolydian / parallel minor)borrowed chord | Ab · C · Eb | 5× |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| VII | A | Chromatic colour chordoutside the key | A · C# · E | 5× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | 23× |
| bII | Ab | Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord | Ab · C · Eb | 5× |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| II | A | Chromatic colour chordoutside the key | A · C# · E | 5× |
| III | Bb | Relative major — the bright side | Bb · D · F | 11× |
| iv | Cm | Subdominant — moves away from home | C · Eb · G | 6× |
| IV | C | Major IV — Dorian / melodic-minor colourmodal colour | C · E · G | 6× |
| v | Dm | Minor dominant — soft pull | D · F · A | — |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | — |
| VI | Eb | Submediant — warm colour | Eb · G · Bb | 5× |
| VII | F | Subtonic — steps back to the tonic | F · A · C | — |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 7 different chords appear 61 times in total; 4 of them sit naturally inside the shared scale. Ab is borrowed from the parallel minor, adding a darker shade to the major side.
Chord movement
- Cm Gm Bbii → vi Gmiv → iminor plagal ×6
- Eb Gm BbIV → vi GmVI → iVI → i ×4
The move to watch is Cm → Gm, heard 6 times. From the Gm side it is iv → i (minor plagal: deep and melancholic); from the Bb side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- On Ab, follow the chord's notes (Ab · C · Eb) rather than the key's scale — it's a borrowed colour.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 4 semitones up
The song's harmonic story
The opening Gm lays a solid floor for everything that follows. The chords that keep coming back are Gm, Bb, C, Cm; read them as vi–I–II–ii in Bb or i–III–IV–iv in Gm. Ab briefly darkens the picture: bvii — borrowed (mixolydian / parallel minor). Keep an ear on Cm → Gm (ii → vi in Bb, iv → i in Gm): minor plagal — deep and melancholic. It closes on Eb, letting the Bb side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Nova Norda - Dinozorlar Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Nova NordaMusic: Nova Norda
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