Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Aynur Doğan - Daye (Rojek Te) (Anne - Gün Gelecek) - Chord
Key F major – D minor Chords Dm, Gm, A, Bb, Eb Easy key C (capo 5)
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Key: F | Dm
Capo: 0
Dm A
Daye delalamîni
Dm
Hê nê bêje çavanî
Destê bavô mâç dîkim
A Dm
Slav bo xuşk û bra
Dm
Daye durbûn dîjwâre
Gm A Dm
Doza welât jîbir nakîm
Dîl dıxwaze vegêre
Gm A Bb Gm Dm Eb Dm
Çî bıkîm nıkarîîîîîîîîîîîîîîîîîîîîm
Dm
Kûremîn besê vegêre
Gm Dm
Çavême lî rê kêtyâ
Gm
Ez pîr bûme bavete kâl
Dm Gm
Tîrş û tahlê jî bo mê jiyan
Dm
Kûremîn besê vegêre
Bb A Dm
Lî benda tê mê
Gm
Ez pîr bûme bavete kâl
Dm Gm
Tîrş û tahlê jî bo mê jiyan
Dm
Kûremîn besê vegêre
Bb A Dm
Lî benda tê mê
Dm
Ez heyran bıbım
Bb
Ez kurban Daye
Dm
Rojek tê
Dm
Bê xêm bê şer
Gm
Wêlat azat
Dm
Rojek tê
Dm
Rojek ronahi
Bb
Rojek pêşahî
Dm
Rojek tê
End of song Play again?
Aynur Doğan - Daye (Rojek Te) (Anne - Gün Gelecek) Tabs
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Harmony analysis
Aynur Doğan – Daye (Rojek Te) (Anne - Gün Gelecek): key and chord analysis
The song opens on Dm and ends on Dm. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
- #7 = C# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because it both starts and finishes on Dm, Dm is heard 21 times while F never appears and the major V chord points straight at Dm. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | 9× |
| iii | Am | Mediant — a tonic-family shade | A · C · E | — |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | 6× |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 5× |
| V | C | Dominant — strongest pull home | C · E · G | — |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 21× |
| bVII | Eb | bVII — borrowed (Mixolydian / parallel minor)borrowed chord | Eb · G · Bb | 1× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 21× |
| bII | Eb | Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord | Eb · G · Bb | 1× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | 9× |
| v | Am | Minor dominant — soft pull | A · C · E | — |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | 6× |
| VI | Bb | Submediant — warm colour | Bb · D · F | 5× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | — |
Analysis
The key pair is F major and its relative D minor (1 flat). 5 different chords appear 42 times in total; 3 of them sit naturally inside the shared scale. The major V of Dm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from F, the same A is V/vi, a secondary dominant heading for Dm. Eb is borrowed from the parallel minor, adding a darker shade to the major side.
Chord movement
- Gm Dm Fii → vi Dmiv → iminor plagal ×7
- A Dm FV/vi → vi DmV → iharmonic-minor cadence ×5
- Gm A Fii → V/vi Dmiv → Viv → V ×2
- Bb Dm FIV → vi DmVI → iVI → i ×2
The move to watch is Gm → Dm, heard 7 times. From the Dm side it is iv → i (minor plagal: deep and melancholic); from the F side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over A, land on A, C#, E — the chord's own tones always sound right on strong beats.
- When A comes, swap the scale's C for C#: that single note is the harmonic-minor sound of the chord.
- On Eb, follow the chord's notes (Eb · G · Bb) rather than the key's scale — it's a borrowed colour.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
- 2 semitones up
The song's harmonic story
Starting on Dm, the song gives away its key from the very first bar. The chords that keep coming back are Dm, Gm, A, Bb; read them as vi–ii–V/vi–IV in F or i–iv–V–VI in Dm. A is the interesting twist: in F it is a chromatic chord (V/vi), while in Dm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Gm → Dm (ii → vi in F, iv → i in Dm): minor plagal — deep and melancholic. It closes on Dm, letting the Dm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Aynur Doğan - Daye (Rojek Te) (Anne - Gün Gelecek) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Nizamettin Ariç, Şahin BMusic: Nizamettin Ariç
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