Major view
E major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D# (leading tone, pulls home)
- 4 = A (the note that leans on the 3rd)
Şanışer - Senden Benden (Emar) - Chord
Key E major – C# minor Chords A, C#m, G#m, B Easy key G
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Key: E | Dbm | C#m
Capo: 0
C#m A G#m B A
C#m
Olanları unutup geriye dönemem
A G#m
Yandım çok öylece sönemem
B A
Bir kül kalır illa senden ya da benden
C#m
Gel denizler aşalım, benimle gelmen şart
A
Hala beraber ölmediğimiz yerler var
G#m
Lütfen erken kalk; Tanrından al izini
B A C#m
Sahip olmadıklarınla doldur valizini ve çık
Sonra fayda etmez harbe tekbir
A
Al alır semayı sela yar; bir olur kan ve tekdir
G#m
Yayılır kalbe dek kir
B
Çocuklar ölüyorken senin vicdanın rahatsa
A
Bir sorun var demektir
C#m
Ellerim gökte başka bi aşk arıyorum
A
Güneşte yaş kalıyorum
Ağlamamam yaş kanıyorum
G#m
Benden başka mı yolun, iyi gibisin be
B A
Ben bu ara eskisinden daha hızlı yaşlanıyorum
C#m
Diyar diyar gezdim önüme kapın çıktı
A
Tanrım, söyle hayallerimi nasıl yıktın
G#m
Yaşadığımdan anlamadım bir şey
B A C#m
Bütün hayatım sadece güzel bi ölüme hazırlık mı
C#m
Olanları unutup geriye dönemem
A G#m
Yandım çok öylece sönemem
B A
Bir kül kalır illa senden ya da benden
C#m
"Bu yazgı değişmeyecek anladığımda çok geçti"
A
Dediğin anda belki gelir birisi anlar seni
G#m
Kalmadı umudum, çok karanlık, çok
B A
Açmadan gözlerini bilemezsin, yok
C#m
Bir gece söküp yerinden kalbimi çaldılar
A
Onlar kalbini değil korkularını aldılar
G#m
Düşünmek istemiyorum artık
B A
Düşün, düşün ki yeniden sızlamasın bu ağrılar
C#m
Evimden uzaktayım, yatarken yatagımda
A
Gökyüzü sanki sana gülmüyor bu ara, ha
G#m
Dünya bomboş gibi; sanki sade ben varım
B A
Ve bir de şu haline sebep olan kadın
C#m
Unutmak istedikçe, daha çok kazınıyor
A
Zaman bir hokkabaz ve hep o kazanıyor
G#m
Hiç olmayacak bir yerde oldurup imkansızı
B A
Sonra bütün bunların hepsi hile diyor değil mi, aynen Öyle
C#m A G#m B A C#m
Deliye döndüm duyunca çekip gittiğini oooooooff
C#m A G#m B A C#m
Nereden bileceksin sen nerede bittiğimi oooooooff
C#m
Olanları unutup geriye dönemem
A G#m
Yandım çok öylece sönemem
B A
Bir kül kalır illa senden ya da benden
End of song Play again?
Şanışer - Senden Benden (Emar) Tabs
NotesX
Harmony analysis
Şanışer – Senden Benden (Emar): key and chord analysis
The song opens on C#m and ends on A. Its chords belong to both E major and C#m, so every chord below is read both ways.
Minor view
C# minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = A (the minor's melancholy)
- b7 = B (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C# minor side because it opens on C#m and C#m is heard 17 times while E never appears. That is an interpretation, not a rule — the same chords are just as valid seen from E major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to E or to C#m; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | E | Tonic — home | E · G# · B | — |
| ii | F#m | Supertonic — prepares the dominant | F# · A · C# | — |
| iii | G#m | Mediant — a tonic-family shade | G# · B · D# | 14× |
| V/vi | G# | Secondary dominant V/vi — leads to C#msecondary dominant | G# · B# · D# | — |
| IV | A | Subdominant — moves away from home | A · C# · E | 28× |
| V | B | Dominant — strongest pull home | B · D# · F# | 14× |
| vi | C#m | Relative minor — the melancholy side | C# · E · G# | 17× |
| vii° | D#dim | Leading-tone chord — tension | D# · F# · A | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | C#m | Tonic — home | C# · E · G# | 17× |
| ii° | D#dim | Supertonic — prepares the dominant | D# · F# · A | — |
| III | E | Relative major — the bright side | E · G# · B | — |
| iv | F#m | Subdominant — moves away from home | F# · A · C# | — |
| v | G#m | Minor dominant — soft pull | G# · B · D# | 14× |
| V | G# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G# · B# · D# | — |
| VI | A | Submediant — warm colour | A · C# · E | 28× |
| VII | B | Subtonic — steps back to the tonic | B · D# · F# | 14× |
Analysis
The key pair is E major and its relative C# minor (4 sharps). 4 different chords appear 73 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- A C#m EIV → vi C#mVI → iVI → i ×13
The move to watch is A → C#m, heard 13 times. From the C#m side it is VI → i (VI → i: falls a half step into home); from the E side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- E major pentatonic and C# minor pentatonic are the same five notes (E – F# – G# – B – C#): start from E for a brighter phrase, from C# for a bluesier one.
- Over A, land on A, C#, E — the chord's own tones always sound right on strong beats.
- Over C#m, land on C#, E, G# — the chord's own tones always sound right on strong beats.
- Over G#m, land on G#, B, D# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With E major shapes
- No capo — open E shapes
- Capo 2 + D shapes
- Capo 4 + C shapes
With C# minor shapes
- Capo 4 + Am shapes
Easiest keys on guitar
- 3 semitones up
- 4 semitones down · capo 4 keeps the original pitch
The song's harmonic story
Starting on C#m, the song gives away its key from the very first bar. A, C#m, G#m, B carry the song: IV–vi–iii–V relative to E, VI–i–v–VII relative to C#m. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on A → C#m (IV → vi in E, VI → i in C#m): VI → i — falls a half step into home. The final chord is A; the ear comes to rest in E.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Şanışer - Senden Benden (Emar) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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