Yiğit Mahzuni - Deli Gibi Yüreğime Zorsun (Bilal Hancı) - Chord

Key Eb major – C minor Chords Gm, Abmaj7, Fm, Cm, Bb, Cm7, Ab Easy key C (capo 3)

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Capo 0

Cm7                    Gm
Güller açılır mı kalbimde
Cm7                      Gm
Son kez ne zararı var dinle

Cm
Yanımda duran olmaz
Gm
Halimi soran olmaz
Fm                  Gm
Sen bir köşede ağlarsın

Abmaj7
Bak sana kıyan olur
Bb
Kalbini yoran olur
Fm                 Gm
Giden yıllara yanarsın

Cm
Deli gibi yüreğime zorsun
       Abmaj7   Gm
Biliyorsun, ama olsun
Bb
Kadehimi bırakın dolsun
    Abmaj7     Gm
Gidiyorsun, kahrolsun
Fm
Sen yarayı sarmayı bilmez
     Ab            Gm
Kötü kalpli bir doktorsun


Cm  Abmaj7  Gm  Bb  Abmaj7  Gm  Fm  Ab  Gm

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Yiğit Mahzuni - Deli Gibi Yüreğime Zorsun (Bilal Hancı) Tabs

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Harmony analysis

Yiğit Mahzuni – Deli Gibi Yüreğime Zorsun (Bilal Hancı): key and chord analysis

The song opens on Cm7 and ends on Gm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C minor side because it opens on Cm and Cm is heard 5 times while Eb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	—
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	4×
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	11×
V/vi	G	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D	—
IVmaj7	Abmaj7	Subdominant — moves away from home	Ab · C · Eb · G	5×
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	2×
V	Bb	Dominant — strongest pull home	Bb · D · F	3×
vi	Cm	Relative minor — the melancholy side	C · Eb · G	3×
vi7	Cm7	Relative minor — the melancholy side	C · Eb · G · Bb	2×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	3×
i7	Cm7	Tonic — home	C · Eb · G · Bb	2×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	—
iv	Fm	Subdominant — moves away from home	F · Ab · C	4×
v	Gm	Minor dominant — soft pull	G · Bb · D	11×
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	—
VImaj7	Abmaj7	Submediant — warm colour	Ab · C · Eb · G	5×
VI	Ab	Submediant — warm colour	Ab · C · Eb	2×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	3×

Analysis

The key pair is Eb major and its relative C minor (3 flats). 7 different chords appear 30 times in total; 7 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Gm Cm Ebiii → vi Cmv → inatural-minor cadence ×3
Gm Cm7 Ebiii → vi7 Cmv → i7natural-minor cadence ×1
Abmaj7 Bb EbIVmaj7 → VIV → V CmVImaj7 → VIIVI → VII ×1

The move to watch is Gm → Cm, heard 3 times. From the Cm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Eb side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
Over Abmaj7, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
4 semitones up

The song's harmonic story

The opening Cm7 lays a solid floor for everything that follows. The backbone is Gm, Abmaj7, Fm, Cm — iii–IVmaj7–ii–vi from the Eb side, v–VImaj7–iv–i from the Cm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gm → Cm (iii → vi in Eb, v → i in Cm): natural-minor cadence — gentle, modal arrival. The final chord is Gm; the ear comes to rest in Eb.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Yiğit Mahzuni - Deli Gibi Yüreğime Zorsun (Bilal Hancı) Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Yiğit Mahzuni

Music: Yiğit Mahzuni

Arrangement: Yiğit Mahzuni
Serkan Balkan

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