Buray - Rampapapam (FHA - KÖK$VL - Arem - Arman) - Chord

Key Gb major – Eb minor Chords Ebm, Abm Easy key G

Add to Repertoire

No ratings yet

or your user informations

Capo 0

Ebm     Abm         Ebm
Ben sensiz boşluklarda (ey)
  Abm         Ebm
Ruhum karanlıkta (ey)
          Abm          Ebm
Aklım neredeydi bilmiyorum

Seni bırakırken ardımda

Ebm        Abm       Ebm
Bir film gibiydi aşkımız (uh)
        Abm        Ebm
Belki yeniden başlarız (belki)
     Abm     Ebm
Al ipler elinde
             Abm
Rampapapam rampapapam

Ebm             Abm
Özledim seninle her şeyi
    Ebm             Abm
Geceleri ah teninde gezmeyi
    Ebm               Abm
Sabaha kadar koklayıp öpmeyi (brr)
Ebm          Abm
Gerçek aşkın gülleri

Ebm             Abm
Özledim seninle gülmeyi
    Ebm               Abm
Kanepede netflix ve sevişmeyi (uu)
  Ebm            Abm
Yakar kurutur ateşin beni (bleh)
Ebm          Abm
Gerçek aşkın külleri

Ebm Abm Ebm Abm

Rampapapam rampapapam
Rampapapam rampapapam

Ebm        Abm             Ebm
Bir kere, izin verdim beni üzmene (üzmene)
    Abm             Ebm
Göz yumamam boş boş sözlere
     Abm
Yürü yolları sen
Ebm        Abm
Rampapapam rampapapam (yeah)

Ebm
Gizlediğin
    Abm                Ebm
Bir sır değil ki benim ezberim (shh)
   Abm            Ebm
Zirvedeyim derdin diptesin (ha)
      Abm
Hadi, hadi yallah
Ebm        Abm
Rampapapam rampapapam

Ebm             Abm
Ellerine verdim ipleri (ellerine)
        Ebm          Abm
Ama istedin niye tüm tenleri (tenleri)
    Ebm            Abm
Sen izlediğin kült filmleri (haha)
Ebm           Abm
Gerçek sandın öyle mi (ha)

Ebm            Abm
Ahmak anla çok geçti raydan (oh)
  Ebm             Abm
Artık duramam ııh yavaşlamam
Ebm              Abm
Çok hızlı geçtim yanından (pat pat)
Ebm             Abm
Tutarsın sandın öyle mi

Ebm Abm Ebm Abm

Rampapapam rampapapam
Rampapapam rampapapam

Ebm              Abm      Ebm
Dur, sağa sola koşup yoruldun (yuh)
             Abm        Ebm
Soluklanacak yerinden oldun (KÖK$VL)
        Abm               Ebm               Abm        Ebm
Doyumsuzluğundan büyük korkun ama kendine itiraf etmen zor (yay yay)
              Abm
Nasıl zordu hatırlamak adını (ha) (ey)
Ebm            Abm
Şimdi takıntı, işe yaradı mı (a-ha)
Ebm                Abm
Hep geç atıyorsun ikinci adımı (okay)
Ebm     Abm
Koşarak gelenler var
     Ebm                 Abm         Ebm
Sana bin dereden su getirsem arınamazsın
             Abm
Ama sen yine kendini sakla (uh ye)
Ebm                  Abm
Bi ton laf edip yine kandıramadın onu
Ebm               Abm
Git o zaman ya da rampapapam (pa pa pa)
Ebm              Abm
Sen evde Netflix hayali kurarken (yay)
Ebm           Abm
O senin eline ipleri verirken (yay)
Ebm          Abm
İki kuzu sürüden ayrılmışken (yay)
Ebm                Abm
Kurtlar peşlerinde hav hav hav hav (auu)

Ebm Abm Ebm Abm

Rampapapam rampapapam
Ra pa pa pa rampapapam

End of song Play again?

Buray - Rampapapam (FHA - KÖK$VL - Arem - Arman) Tabs

NotesX

Harmony analysis

Buray – Rampapapam (FHA - KÖK$VL - Arem - Arman): key and chord analysis

The song opens on Ebm and ends on Abm. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.

Major view

Gb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = F (leading tone, pulls home)
4 = Cb (the note that leans on the 3rd)

Minor view

Eb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Cb (the minor's melancholy)
b7 = Db (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Eb minor side because it opens on Ebm and Ebm is heard 54 times while Gb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Gb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Gb major
Degree	Chord	Role	Notes	In song
I	Gb	Tonic — home	Gb · Bb · Db	—
ii	Abm	Supertonic — prepares the dominant	Ab · Cb · Eb	53×
iii	Bbm	Mediant — a tonic-family shade	Bb · Db · F	—
V/vi	Bb	Secondary dominant V/vi — leads to Ebmsecondary dominant	Bb · D · F	—
IV	Cb	Subdominant — moves away from home	Cb · Eb · Gb	—
V	Db	Dominant — strongest pull home	Db · F · Ab	—
vi	Ebm	Relative minor — the melancholy side	Eb · Gb · Bb	54×
vii°	Fdim	Leading-tone chord — tension	F · Ab · Cb	—

Seen from Eb minor
Degree	Chord	Role	Notes	In song
i	Ebm	Tonic — home	Eb · Gb · Bb	54×
ii°	Fdim	Supertonic — prepares the dominant	F · Ab · Cb	—
III	Gb	Relative major — the bright side	Gb · Bb · Db	—
iv	Abm	Subdominant — moves away from home	Ab · Cb · Eb	53×
v	Bbm	Minor dominant — soft pull	Bb · Db · F	—
V	Bb	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	Bb · D · F	—
VI	Cb	Submediant — warm colour	Cb · Eb · Gb	—
VII	Db	Subtonic — steps back to the tonic	Db · F · Ab	—

Analysis

The key pair is Gb major and its relative Eb minor (6 flats). 2 different chords appear 107 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Abm Ebm Gbii → vi Ebmiv → iminor plagal ×52

The move to watch is Abm → Ebm, heard 52 times. From the Ebm side it is iv → i (minor plagal: deep and melancholic); from the Gb side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
Over Abm, land on Ab, Cb, Eb — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Gb major shapes

Capo 2 + E shapes
Capo 4 + D shapes
Capo 6 + C shapes

With Eb minor shapes

Capo 1 + Dm shapes
Capo 6 + Am shapes

Easiest keys on guitar

1 semitone up
6 semitones up · capo 6 keeps the original pitch

The song's harmonic story

The opening Ebm lays a solid floor for everything that follows. The backbone is Ebm, Abm — vi–ii from the Gb side, i–iv from the Ebm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Abm → Ebm (ii → vi in Gb, iv → i in Ebm): minor plagal — deep and melancholic. Ending on Abm, the song seals Gb as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.