Major view
Gb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F (leading tone, pulls home)
- 4 = Cb (the note that leans on the 3rd)
Feride Hilal Akın - Rampapapam (Buray KÖKSVL Arem Arman) - Chord
Key Gb major – Eb minor Chords Ebm, Abm Easy key G
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Key: Gb | D#m | Ebm
Capo: 0
Ebm Abm Ebm
Ben sensiz boşluklarda (ey)
Abm Ebm
Ruhum karanlıkta (ey)
Abm Ebm
Aklım neredeydi bilmiyorum
Seni bırakırken ardımda
Ebm Abm Ebm
Bir film gibiydi aşkımız (uh)
Abm Ebm
Belki yeniden başlarız (belki)
Abm Ebm
Al ipler elinde
Abm
Rampapapam rampapapam
Ebm Abm
Özledim seninle her şeyi
Ebm Abm
Geceleri ah teninde gezmeyi
Ebm Abm
Sabaha kadar koklayıp öpmeyi (brr)
Ebm Abm
Gerçek aşkın gülleri
Ebm Abm
Özledim seninle gülmeyi
Ebm Abm
Kanepede netflix ve sevişmeyi (uu)
Ebm Abm
Yakar kurutur ateşin beni (bleh)
Ebm Abm
Gerçek aşkın külleri
Ebm Abm Ebm Abm
Rampapapam rampapapam
Rampapapam rampapapam
Ebm Abm Ebm
Bir kere, izin verdim beni üzmene (üzmene)
Abm Ebm
Göz yumamam boş boş sözlere
Abm
Yürü yolları sen
Ebm Abm
Rampapapam rampapapam (yeah)
Ebm
Gizlediğin
Abm Ebm
Bir sır değil ki benim ezberim (shh)
Abm Ebm
Zirvedeyim derdin diptesin (ha)
Abm
Hadi, hadi yallah
Ebm Abm
Rampapapam rampapapam
Ebm Abm
Ellerine verdim ipleri (ellerine)
Ebm Abm
Ama istedin niye tüm tenleri (tenleri)
Ebm Abm
Sen izlediğin kült filmleri (haha)
Ebm Abm
Gerçek sandın öyle mi (ha)
Ebm Abm
Ahmak anla çok geçti raydan (oh)
Ebm Abm
Artık duramam ııh yavaşlamam
Ebm Abm
Çok hızlı geçtim yanından (pat pat)
Ebm Abm
Tutarsın sandın öyle mi
Ebm Abm Ebm Abm
Rampapapam rampapapam
Rampapapam rampapapam
Ebm Abm Ebm
Dur, sağa sola koşup yoruldun (yuh)
Abm Ebm
Soluklanacak yerinden oldun (KÖK$VL)
Abm Ebm Abm Ebm
Doyumsuzluğundan büyük korkun ama kendine itiraf etmen zor (yay yay)
Abm
Nasıl zordu hatırlamak adını (ha) (ey)
Ebm Abm
Şimdi takıntı, işe yaradı mı (a-ha)
Ebm Abm
Hep geç atıyorsun ikinci adımı (okay)
Ebm Abm
Koşarak gelenler var
Ebm Abm Ebm
Sana bin dereden su getirsem arınamazsın
Abm
Ama sen yine kendini sakla (uh ye)
Ebm Abm
Bi ton laf edip yine kandıramadın onu
Ebm Abm
Git o zaman ya da rampapapam (pa pa pa)
Ebm Abm
Sen evde Netflix hayali kurarken (yay)
Ebm Abm
O senin eline ipleri verirken (yay)
Ebm Abm
İki kuzu sürüden ayrılmışken (yay)
Ebm Abm
Kurtlar peşlerinde hav hav hav hav (auu)
Ebm Abm Ebm Abm
Rampapapam rampapapam
Ra pa pa pa rampapapam
End of song Play again?
Feride Hilal Akın - Rampapapam (Buray KÖKSVL Arem Arman) Tabs
NotesX
Harmony analysis
Feride Hilal Akın – Rampapapam (Buray KÖKSVL Arem Arman): key and chord analysis
The song opens on Ebm and ends on Abm. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.
Minor view
Eb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Cb (the minor's melancholy)
- b7 = Db (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Eb minor side because it opens on Ebm and Ebm is heard 54 times while Gb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Gb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Gb | Tonic — home | Gb · Bb · Db | — |
| ii | Abm | Supertonic — prepares the dominant | Ab · Cb · Eb | 53× |
| iii | Bbm | Mediant — a tonic-family shade | Bb · Db · F | — |
| V/vi | Bb | Secondary dominant V/vi — leads to Ebmsecondary dominant | Bb · D · F | — |
| IV | Cb | Subdominant — moves away from home | Cb · Eb · Gb | — |
| V | Db | Dominant — strongest pull home | Db · F · Ab | — |
| vi | Ebm | Relative minor — the melancholy side | Eb · Gb · Bb | 54× |
| vii° | Fdim | Leading-tone chord — tension | F · Ab · Cb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Ebm | Tonic — home | Eb · Gb · Bb | 54× |
| ii° | Fdim | Supertonic — prepares the dominant | F · Ab · Cb | — |
| III | Gb | Relative major — the bright side | Gb · Bb · Db | — |
| iv | Abm | Subdominant — moves away from home | Ab · Cb · Eb | 53× |
| v | Bbm | Minor dominant — soft pull | Bb · Db · F | — |
| V | Bb | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | Bb · D · F | — |
| VI | Cb | Submediant — warm colour | Cb · Eb · Gb | — |
| VII | Db | Subtonic — steps back to the tonic | Db · F · Ab | — |
Analysis
The key pair is Gb major and its relative Eb minor (6 flats). 2 different chords appear 107 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Abm Ebm Gbii → vi Ebmiv → iminor plagal ×52
The move to watch is Abm → Ebm, heard 52 times. From the Ebm side it is iv → i (minor plagal: deep and melancholic); from the Gb side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
- Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
- Over Abm, land on Ab, Cb, Eb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Gb major shapes
- Capo 2 + E shapes
- Capo 4 + D shapes
- Capo 6 + C shapes
With Eb minor shapes
- Capo 1 + Dm shapes
- Capo 6 + Am shapes
Easiest keys on guitar
- 1 semitone up
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
The opening Ebm lays a solid floor for everything that follows. The chords that keep coming back are Ebm, Abm; read them as vi–ii in Gb or i–iv in Ebm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Abm → Ebm (ii → vi in Gb, iv → i in Ebm): minor plagal — deep and melancholic. The final chord is Abm; the ear comes to rest in Gb.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Feride Hilal Akın - Rampapapam (Buray KÖKSVL Arem Arman) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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