Major view
D major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C# (leading tone, pulls home)
- 4 = G (the note that leans on the 3rd)
Key D major – B minor Chords Bm, F#m, Em Easy key C (capo 2)
Bm F#m Em
Bm F#m
If you wanna run away with me, I know a galaxy
Em Bm
And I can take you for a ride
F#m
I had a premonition that we fell into a rhythm
Em Bm
Where the music don't stop for life
F#m
Glitter in the sky, glitter in my eyes
Em Bm
Shining just the way I like
F#m
If you're feeling like you need a little bit of company
Em Bm
You met me at the perfect time
Bm F#m
You want me, I want you, baby
Em Bm
My sugar-boo, I'm levitating
Bm F#m
The Milky Way, we're renegading
Em Bm
Yeah, yeah, yeah, yeah, yeah
Bm F#m Em Bm
I got you, moonlight, you're my starlight
F#m Em
I need you all night, come on, dance with me
Bm
I'm levitating
Bm F#m Em Bm
You, moonlight, you're my starlight
F#m Em
I need you all night, come on, dance with me
Bm
I'm levitating
Bm F#m
I believe that you're for me, I feel it in our energy
Em Bm
I see us written in the stars
Bm F#m
We can go wherever, so let's do it now or never
Em Bm
Baby, nothing's ever, ever too far
Bm F#m
Glitter in the sky, glitter in our eyes
Em Bm
Shining just the way we are
Bm F#m
I feel like we're forever every time we get together
Em Bm
But whatever, let's get lost on Mars
Bm F#m
You want me, I want you, baby
Em Bm
My sugar-boo, I'm levitating
Bm F#m
The Milky Way, we're renegading
Em Bm
Yeah, yeah, yeah, yeah, yeah
Bm F#m Em Bm
I got you, moonlight, you're my starlight
F#m Em
I need you all night, come on, dance with me
Bm
I'm levitating
Bm F#m Em Bm
You, moonlight, you're my starlight
F#m Em
I need you all night, come on, dance with me
Bm
I'm levitating
Bm F#m
You can fly away with me tonight
Em Bm
You can fly away with me tonight
F#m
Baby, let me take you for a ride
Em Bm
Yeah, yeah, yeah, yeah, yeah
Bm Bm
I'm levitating (Woo)
Bm F#m Em
You can fly away with me tonight
Bm Bm
You can fly away with me tonight
F#m
Baby, let me take you for a ride
Em Bm
Yeah, yeah, yeah, yeah, yeah (Woo)
Bm F#m
My love is like a rocket, watch it blast off
Em Bm
And I'm feeling so electric, dance my ass off
Bm F#m
And even if I wanted to, I can't stop
Em Bm
Yeah, yeah, yeah, yeah, yeah
Bm F#m
My love is like a rocket, watch it blast off
Em Bm
And I'm feeling so electric, dance my ass off
Bm F#m
And even if I wanted to, I can't stop
Em Bm
Yeah, yeah, yeah, yeah, yeah
Bm F#m
You want me, I want you, baby
Em Bm
My sugar-boo, I'm levitating
Bm F#m
The Milky Way, we're renegading
Em Bm
Yeah, yeah, yeah, yeah, yeah
Bm F#m Em Bm
I got you, moonlight, you're my starlight
F#m Em
I need you all night, come on, dance with me
Bm
I'm levitating
Bm F#m Em Bm
You, moonlight, you're my starlight
F#m Em
I need you all night, come on, dance with me
Bm
I'm levitating
Bm F#m
You can fly away with me tonight
Em Bm
You can fly away with me tonight
Bm F#m
Baby, let me take you for a ride
Em Bm
Yeah, yeah, yeah, yeah, yeah (Woo)
End of song Play again?
Harmony analysis
The song opens on Bm and ends on Bm. Its chords belong to both D major and Bm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the B minor side because it both starts and finishes on Bm and Bm is heard 65 times while D never appears. That is an interpretation, not a rule — the same chords are just as valid seen from D major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | D | Tonic — home | D · F# · A | — |
| ii | Em | Supertonic — prepares the dominant | E · G · B | 37× |
| iii | F#m | Mediant — a tonic-family shade | F# · A · C# | 37× |
| V/vi | F# | Secondary dominant V/vi — leads to Bmsecondary dominant | F# · A# · C# | — |
| IV | G | Subdominant — moves away from home | G · B · D | — |
| V | A | Dominant — strongest pull home | A · C# · E | — |
| vi | Bm | Relative minor — the melancholy side | B · D · F# | 65× |
| vii° | C#dim | Leading-tone chord — tension | C# · E · G | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bm | Tonic — home | B · D · F# | 65× |
| ii° | C#dim | Supertonic — prepares the dominant | C# · E · G | — |
| III | D | Relative major — the bright side | D · F# · A | — |
| iv | Em | Subdominant — moves away from home | E · G · B | 37× |
| v | F#m | Minor dominant — soft pull | F# · A · C# | 37× |
| V | F# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F# · A# · C# | — |
| VI | G | Submediant — warm colour | G · B · D | — |
| VII | A | Subtonic — steps back to the tonic | A · C# · E | — |
The key pair is D major and its relative B minor (2 sharps). 3 different chords appear 139 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is Em → Bm, heard 37 times. From the Bm side it is iv → i (minor plagal: deep and melancholic); from the D side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
Starting on Bm, the song gives away its key from the very first bar. Bm, F#m, Em carry the song: vi–iii–ii relative to D, i–v–iv relative to Bm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Em → Bm (ii → vi in D, iv → i in Bm): minor plagal — deep and melancholic. It closes on Bm, letting the Bm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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