Simge - Pes Etme - Chord

Key Gb major – Eb minor Chords Bmaj7, Bbm7, Abm7, Db Easy key C (capo 6)

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Capo 0

Bmaj7                          Bbm7
Yetişirsin yetişirsin asla pes etme
Bmaj7                         Bbm7
Elimi tutsan sonrası yaz az bize birlikte
Bmaj7                       Bbm7
Dudağında gül susmuyor dili sohbetli
Bmaj7                       Bbm7      Abm7
Bunun adı aşk ruhumun tatlı belgeseliii

Abm7
Bir nefeslik ömrümüzde
Bbm7
İyi günde kötü günde
Abm7
Senin olsun al kalbimi
    Db              Bmaj7
Bir daha da geri verme

Bmaj7    Bbm7
Cennetten dünyaya
Bmaj7     Bbm7       Db
Alışmak zor zor aslında
Bmaj7     Bbm7
Hem gerçek hem rüya
Bmaj7                 Bbm7
Yanındayım çağırsan yeter
         Db
Aşk yolunda

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Simge - Pes Etme Tabs

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Harmony analysis

Simge – Pes Etme: key and chord analysis

The song opens on Bmaj7 and ends on Db. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.

Major view

Gb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = F (leading tone, pulls home)
4 = Cb (the note that leans on the 3rd)

Minor view

Eb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Cb (the minor's melancholy)
b7 = Db (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Gb major and Eb minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Gb major
Degree	Chord	Role	Notes	In song
I	Gb	Tonic — home	Gb · Bb · Db	—
ii7	Abm7	Supertonic — prepares the dominant	Ab · Cb · Eb · Gb	3×
iii7	Bbm7	Mediant — a tonic-family shade	Bb · Db · F · Ab	9×
III	Bb	Chromatic colour chordoutside the key	Bb · D · F	—
IVmaj7	Bmaj7	Subdominant — moves away from home	B · D# · F# · A#	9×
V	Db	Dominant — strongest pull home	Db · F · Ab	3×
vi	Ebm	Relative minor — the melancholy side	Eb · Gb · Bb	—
vii°	Fdim	Leading-tone chord — tension	F · Ab · Cb	—

Seen from Eb minor
Degree	Chord	Role	Notes	In song
i	Ebm	Tonic — home	Eb · Gb · Bb	—
ii°	Fdim	Supertonic — prepares the dominant	F · Ab · Cb	—
III	Gb	Relative major — the bright side	Gb · Bb · Db	—
iv7	Abm7	Subdominant — moves away from home	Ab · Cb · Eb · Gb	3×
v7	Bbm7	Minor dominant — soft pull	Bb · Db · F · Ab	9×
V	Bb	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	Bb · D · F	—
VImaj7	Bmaj7	Submediant — warm colour	B · D# · F# · A#	9×
VII	Db	Subtonic — steps back to the tonic	Db · F · Ab	3×

Analysis

The key pair is Gb major and its relative Eb minor (6 flats). 4 different chords appear 24 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Abm7 Db Gbii7 → Vii → V Ebmiv7 → VII ×1

The move to watch is Abm7 → Db, heard once. From the Gb side it reads ii7 → V (ii → V: the classic preparation of the dominant); from the Ebm side it is iv7 → VII. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
Over Bmaj7, land on B, D#, F# — the chord's own tones always sound right on strong beats.
Over Bbm7, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
Over Abm7, land on Ab, Cb, Eb — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Gb major shapes

Capo 2 + E shapes
Capo 4 + D shapes
Capo 6 + C shapes

With Eb minor shapes

Capo 1 + Dm shapes
Capo 6 + Am shapes

Easiest keys on guitar

6 semitones up · capo 6 keeps the original pitch
1 semitone up

The song's harmonic story

Starting on Bmaj7, the song gives away its key from the very first bar. The backbone is Bmaj7, Bbm7, Abm7, Db — IVmaj7–iii7–ii7–V from the Gb side, VImaj7–v7–iv7–VII from the Ebm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Abm7 → Db (ii7 → V in Gb, iv7 → VII in Ebm): ii → V — the classic preparation of the dominant. It closes on Db, letting the Gb side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.