Major view
A major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G# (leading tone, pulls home)
- 4 = D (the note that leans on the 3rd)
Çağatay Akman - Bul Beni Çıkar Bu Çukurdan - Chord
Key A major – F# minor Chords F#m, Bm Easy key G (capo 2)
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Key: A | Gbm | F#m
Capo: 0
F#m Bm F#m Bm F#m Bm F#m Bm
F#m Bm
Bul beni çıkar bu çukurdan
F#m Bm
Hadi uyandır bu derin uykudan
F#m Bm
Titriyor dudaklar korkudan
F#m Bm
Git diyorsunda sanki yol mu var
F#m Bm
Hakim bizim işi çevirmedi
F#m Bm
Şimdi kelepçeler tam kemirmelik
F#m Bm
Yeri geldi gram bile sevilmedik
F#m Bm
Bebeğim biz asla boşa delirmedik
F#m Bm
Ondan asla kaçamam
F#m Bm
Elini uzatsa beni yakalar
F#m Bm
Onu rezidans için hiç satamam
F#m Bm
Güzel günler elbet şafakta
F#m Bm
Bul beni çıkar bu çukurdan
F#m Bm
Hadi uyandır bu derin uykudan
F#m Bm
Titriyor dudaklar korkudan
F#m Bm
Git diyorsunda sanki yol mu var
F#m Bm F#m Bm F#m Bm F#m Bm
F#m Bm
Sokaklar seni beni yalan eder
F#m Bm
Cebimde para yokken Münir babam yardım eder
F#m Bm
Gece nedir belli değil gürültüler
F#m Bm
Sebebi belli belli beni delirttiler
F#m Bm
Hisler sazdan çağladı
F#m Bm
Bugün kainat benim için ağladı
F#m Bm
Dünya adaletine kanmadım
F#m Bm
Para basıyor o terazi kolları
F#m Bm
Bir ben mişim senin işin anladım
F#m Bm
Bütün dertlerim eli kolu bağladı
F#m Bm
Bugün güneş bizim için doğmadı
F#m Bm
Dedi dünün yarın için umut olmalı
F#m Bm
Yüzün solmadı açmadı çiçekler
F#m Bm
Hüzün sarmadı hoş gelecekler
F#m Bm
Gözün dolmadı geçmişi silecekler
F#m Bm
Sanki yüz yıl geçti diyecekler
F#m Bm
Bul beni çıkar bu çukurdan
F#m Bm
Hadi uyandır bu derin uykudan
F#m Bm
Titriyor dudaklar korkudan
F#m Bm
Git diyorsunda sanki yol mu var
End of song Play again?
Çağatay Akman - Bul Beni Çıkar Bu Çukurdan Tabs
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Harmony analysis
Çağatay Akman – Bul Beni Çıkar Bu Çukurdan: key and chord analysis
The song opens on F#m and ends on Bm. Its chords belong to both A major and F#m, so every chord below is read both ways.
Minor view
F# minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = D (the minor's melancholy)
- b7 = E (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F# minor side because it opens on F#m and F#m is heard 44 times while A never appears. That is an interpretation, not a rule — the same chords are just as valid seen from A major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to A or to F#m; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | A | Tonic — home | A · C# · E | — |
| ii | Bm | Supertonic — prepares the dominant | B · D · F# | 44× |
| iii | C#m | Mediant — a tonic-family shade | C# · E · G# | — |
| V/vi | C# | Secondary dominant V/vi — leads to F#msecondary dominant | C# · E# · G# | — |
| IV | D | Subdominant — moves away from home | D · F# · A | — |
| V | E | Dominant — strongest pull home | E · G# · B | — |
| vi | F#m | Relative minor — the melancholy side | F# · A · C# | 44× |
| vii° | G#dim | Leading-tone chord — tension | G# · B · D | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | F#m | Tonic — home | F# · A · C# | 44× |
| ii° | G#dim | Supertonic — prepares the dominant | G# · B · D | — |
| III | A | Relative major — the bright side | A · C# · E | — |
| iv | Bm | Subdominant — moves away from home | B · D · F# | 44× |
| v | C#m | Minor dominant — soft pull | C# · E · G# | — |
| V | C# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C# · E# · G# | — |
| VI | D | Submediant — warm colour | D · F# · A | — |
| VII | E | Subtonic — steps back to the tonic | E · G# · B | — |
Analysis
The key pair is A major and its relative F# minor (3 sharps). 2 different chords appear 88 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Bm F#m Aii → vi F#miv → iminor plagal ×43
The move to watch is Bm → F#m, heard 43 times. From the F#m side it is iv → i (minor plagal: deep and melancholic); from the A side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- A major pentatonic and F# minor pentatonic are the same five notes (A – B – C# – E – F#): start from A for a brighter phrase, from F# for a bluesier one.
- Over F#m, land on F#, A, C# — the chord's own tones always sound right on strong beats.
- Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With A major shapes
- No capo — open A shapes
- Capo 2 + G shapes
- Capo 5 + E shapes
With F# minor shapes
- Capo 2 + Em shapes
- Capo 4 + Dm shapes
Easiest keys on guitar
- 2 semitones down · capo 2 keeps the original pitch
- 3 semitones up
The song's harmonic story
The opening F#m lays a solid floor for everything that follows. The chords that keep coming back are F#m, Bm; read them as vi–ii in A or i–iv in F#m. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bm → F#m (ii → vi in A, iv → i in F#m): minor plagal — deep and melancholic. The final chord is Bm; the ear comes to rest in A.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Çağatay Akman - Bul Beni Çıkar Bu Çukurdan Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Muhsin HodomanMusic: Çağatay AkmanArrangement: Can Vatansever
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