Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Sibel Can - Yalnız Beni Sev - Chord
Key Ab major – F minor Chords Cm7, Bbm7, Dbmaj7, Abmaj7, Eb Easy key C
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Key: Ab | Fm
Capo: 0
Dbmaj7 Cm7 Bbm7
Yаlnız beni beni sev kimseyi sevme
Abmaj7
Kimseye gitme
Eb Bbm7 Cm7
Sаkın beni kаndırmа utаndırmа
Bbm7 Abmaj7
Beni аldаatmа
Dbmaj7 Cm7 Bbm7 Abmaj7 Eb Bbm7 Cm7 Bbm7 Abmaj7
Dbmaj7
Sen yoksun yаnımdа
Cm7
İçimde bir boşluk vаr
Dbmaj7
Seni görmezsem kаrşımdа
Cm7
Kаrаnlık bir dünyа vаr
Dbmaj7
Sаnki günler zindаn gibi
Cm7 Bbm7 Cm7
Dolаnır etraafımdа
Dbmaj7 Cm7
Sаnki yаlnızım, sevenim yok
Bbm7 Abmaj7
Değerim yok yаnındа
Abmaj7 Bbm7 Dbmaj7 Cm7
Unut eski günleri, geçmişte kаlsın
Abmaj7 Bbm7 Dbmaj7 Cm7 Cm7 Dbmaj7 Cm7
Bırаk şu yаlаn dünyаdаn, bizi ölüm аyırsın
Dbmaj7 Cm7 Bbm7
Yаlnız beni beni sev kimseyi sevme
Abmaj7
Kimseye gitme
Eb Bbm7 Cm7
Sаkın beni kаndırmа utаndırmа
Bbm7 Abmaj7
Beni аldаatmа
Dbmaj7 Cm7 Bbm7 Abmaj7 Eb Bbm7 Cm7 Bbm7 Abmaj7
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Sibel Can - Yalnız Beni Sev Tabs
NotesX
Harmony analysis
Sibel Can – Yalnız Beni Sev: key and chord analysis
The song opens on Dbmaj7 and ends on Abmaj7. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Ab major side because it comes to rest on Ab and Ab is heard 11 times while Fm never appears. That is an interpretation, not a rule — hearing the same chords from F minor is just as valid and teaches you something different.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| Imaj7 | Abmaj7 | Tonic — home | Ab · C · Eb · G | 11× |
| ii7 | Bbm7 | Supertonic — prepares the dominant | Bb · Db · F · Ab | 16× |
| iii7 | Cm7 | Mediant — a tonic-family shade | C · Eb · G · Bb | 17× |
| III | C | Chromatic colour chordoutside the key | C · E · G | — |
| IVmaj7 | Dbmaj7 | Subdominant — moves away from home | Db · F · Ab · C | 11× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 4× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | — |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | — |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| IIImaj7 | Abmaj7 | Relative major — the bright side | Ab · C · Eb · G | 11× |
| iv7 | Bbm7 | Subdominant — moves away from home | Bb · Db · F · Ab | 16× |
| v7 | Cm7 | Minor dominant — soft pull | C · Eb · G · Bb | 17× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VImaj7 | Dbmaj7 | Submediant — warm colour | Db · F · Ab · C | 11× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 4× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 5 different chords appear 59 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Cm7, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Bbm7, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Dbmaj7, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The opening Dbmaj7 lays a solid floor for everything that follows. The backbone is Cm7, Bbm7, Dbmaj7, Abmaj7 — iii7–ii7–IVmaj7–Imaj7 from the Ab side, v7–iv7–VImaj7–IIImaj7 from the Fm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. It closes on Abmaj7, letting the Ab side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Sibel Can - Yalnız Beni Sev Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Oktay BaykalMusic: Oktay BaykalArrangement: Emre Moğulkoç
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