Major view
Gb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F (leading tone, pulls home)
- 4 = Cb (the note that leans on the 3rd)
Çağan Şengül - Anlatamadığım Şeyler - Chord
Key Gb major – Eb minor Chords Abm, Db, Ebm, B, Bbm Easy key G
No ratings yet
or your user informations
Make it yours
Text size
Key: Gb | D#m | Ebm
Capo: 0
B Db Abm Bbm
Ebm Db Abm
Ağlayarak başladığın bu yolu
Ebm
Ağlatarak bitireceksin
Db
Karşına biri çıkıcak
Abm Ebm
Canından çok seveceksin
Db
Geçmişini unutup
Abm Bbm
Geleceğini mahvedeceksin
Ebm Db
Kaybolup sonunda
Abm Bbm Ebm Abm Db Ebm
Yine annene döneceksin
Abm
Çünkü ben burda ölürken
Ebm Db
Sana anlatamadığım bir şeyler var
Abm
Çünkü ben burda ölürken
Ebm Db
Üzülme diye bağıramadığım çok şey var
Abm
Çünkü sen orda ağlarken
Ebm Db
Içimde zaten bir yangın var
Abm
Sövemedim git diye
Ebm
Öpemedim kal diye
Db
Oturur içerim tek başıma
Abm
Niye yalnızım yine
Abm
Çünkü sen orda anlatırken
Ebm Db
Benim kabullenemediğim konular var
Abm
Çünkü sen orda bağırırken
B Db
Benim sustuğum çok şey var
Abm
Çünkü ben burda yanarken
B Db
Söndüremeyen gözyaşların var
Abm
Sövemedim git diye
Ebm
Öpemedim kal diye
Db
Oturur içerim tek başıma
Abm
Niye yalnızım yine
End of song Play again?
Çağan Şengül - Anlatamadığım Şeyler Tabs
NotesX
Harmony analysis
Çağan Şengül – Anlatamadığım Şeyler: key and chord analysis
The song opens on B and ends on Abm. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.
Minor view
Eb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Cb (the minor's melancholy)
- b7 = Db (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Eb minor side because Ebm is heard 12 times while Gb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Gb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Gb | Tonic — home | Gb · Bb · Db | — |
| ii | Abm | Supertonic — prepares the dominant | Ab · Cb · Eb | 16× |
| iii | Bbm | Mediant — a tonic-family shade | Bb · Db · F | 3× |
| V/vi | Bb | Secondary dominant V/vi — leads to Ebmsecondary dominant | Bb · D · F | — |
| IV | B | Subdominant — moves away from home | B · D# · F# | 3× |
| V | Db | Dominant — strongest pull home | Db · F · Ab | 14× |
| vi | Ebm | Relative minor — the melancholy side | Eb · Gb · Bb | 12× |
| vii° | Fdim | Leading-tone chord — tension | F · Ab · Cb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Ebm | Tonic — home | Eb · Gb · Bb | 12× |
| ii° | Fdim | Supertonic — prepares the dominant | F · Ab · Cb | — |
| III | Gb | Relative major — the bright side | Gb · Bb · Db | — |
| iv | Abm | Subdominant — moves away from home | Ab · Cb · Eb | 16× |
| v | Bbm | Minor dominant — soft pull | Bb · Db · F | 3× |
| V | Bb | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | Bb · D · F | — |
| VI | B | Submediant — warm colour | B · D# · F# | 3× |
| VII | Db | Subtonic — steps back to the tonic | Db · F · Ab | 14× |
Analysis
The key pair is Gb major and its relative Eb minor (6 flats). 5 different chords appear 48 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Abm Ebm Gbii → vi Ebmiv → iminor plagal ×8
- B Db GbIV → VIV → V EbmVI → VIIVI → VII ×3
- Bbm Ebm Gbiii → vi Ebmv → inatural-minor cadence ×3
- Db Ebm GbV → videceptive cadence EbmVII → iAeolian arrival ×1
- Abm Db Gbii → Vii → V Ebmiv → VII ×1
The move to watch is Abm → Ebm, heard 8 times. From the Ebm side it is iv → i (minor plagal: deep and melancholic); from the Gb side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
- Over Abm, land on Ab, Cb, Eb — the chord's own tones always sound right on strong beats.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Gb major shapes
- Capo 2 + E shapes
- Capo 4 + D shapes
- Capo 6 + C shapes
With Eb minor shapes
- Capo 1 + Dm shapes
- Capo 6 + Am shapes
Easiest keys on guitar
- 1 semitone up
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
Starting on B, the song gives away its key from the very first bar. Abm, Db, Ebm, B carry the song: ii–V–vi–IV relative to Gb, iv–VII–i–VI relative to Ebm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Abm → Ebm (ii → vi in Gb, iv → i in Ebm): minor plagal — deep and melancholic. Ending on Abm, the song seals Gb as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Çağan Şengül - Anlatamadığım Şeyler Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Anıl Emre DaldalMusic: Anıl Emre Daldal
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.