Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Güler Özince - Anladım - Chord
Key Bb major – G minor Chords D7, Cm, Gm Easy key C
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Key: Bb | Gm
Capo: 0
Gm D7 Cm D7
Gm D7 Cm
Büyüklüğümü küçüklüğüme saklamışlar
D7 Gm
Ona doğru yürüdükçe anladım
D7 Cm
Sayıklamıyorum artık senin ismini
D7 Cm
Sosyalliğini bile takip etmiyorum
D7 Cm
İşte bu benim tarihimin
D7
En ironik vakası
Gm D7 Cm
Oysa biz daha düne kadar gülüyorduk
D7
Bu bana kimin şakası
Gm D7
Neden her iki aralıkta
Kafamın içinde
Cm D7
Bana özel vizyonda dönüyorsun
Gm D7
Gün içinde neden gece yarısında
Cm D7
Rüyalarımda zihnimi kovalıyorsun
Gm
Bi gitsene
Gm D7 Cm D7
Gm D7 Cm
Geleceğimi dünlerime gizlemişler
D7 Gm
Geriye doğru iz sürdükçe anladım
D7 Cm
Sayıklamıyorum artık senin ismini
D7 Cm
Sosyalliğini bile takip etmiyorum
D7 Cm
İşte bu benim tarihimin
D7
En ironik vakası
Gm D7 Cm
Oysa biz daha düne kadar gülüyorduk
D7
Bu bana kimin şakası
Gm D7
Neden her iki aralıkta
Kafamın içinde
Cm D7
Bana özel vizyonda dönüyorsun
Gm D7
Gün içinde neden gece yarısında
Cm D7
Rüyalarımda zihnimi kovalıyorsun
Gm
Bi gitsene
End of song Play again?
Güler Özince - Anladım Tabs
NotesX
Harmony analysis
Güler Özince – Anladım: key and chord analysis
The song opens on Gm and ends on Gm. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
- #7 = F# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the G minor side because it both starts and finishes on Gm, Gm is heard 14 times while Bb never appears and the major V chord points straight at Gm. That is an interpretation, not a rule — the same chords are just as valid seen from Bb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Bb | Tonic — home | Bb · D · F | — |
| ii | Cm | Supertonic — prepares the dominant | C · Eb · G | 16× |
| iii | Dm | Mediant — a tonic-family shade | D · F · A | — |
| V7/vi | D7 | Secondary dominant V/vi — leads to Gmsecondary dominant | D · F# · A · C | 28× |
| IV | Eb | Subdominant — moves away from home | Eb · G · Bb | — |
| V | F | Dominant — strongest pull home | F · A · C | — |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | 14× |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | 14× |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| III | Bb | Relative major — the bright side | Bb · D · F | — |
| iv | Cm | Subdominant — moves away from home | C · Eb · G | 16× |
| v | Dm | Minor dominant — soft pull | D · F · A | — |
| V7 | D7 | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A · C | 28× |
| VI | Eb | Submediant — warm colour | Eb · G · Bb | — |
| VII | F | Subtonic — steps back to the tonic | F · A · C | — |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 3 different chords appear 58 times in total; 2 of them sit naturally inside the shared scale. The major V of Gm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Bb, the same D7 is V7/vi, a secondary dominant heading for Gm.
Chord movement
- Cm D7 Bbii → V7/vi Gmiv → V7iv → V ×16
- D7 Gm BbV7/vi → visecondary resolution GmV7 → iharmonic-minor cadence ×12
The move to watch is Cm → D7, heard 16 times. From the Gm side it is iv → V7 (iv → V: the minor side's tension builder); from the Bb side it reads ii → V7/vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over D7, land on D, F#, A — the chord's own tones always sound right on strong beats.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- When D7 comes, swap the scale's F for F#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 2 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
The first chord is Gm; the ear learns where home is within a second. The backbone is D7, Cm, Gm — V7/vi–ii–vi from the Bb side, V7–iv–i from the Gm side. D7 is the interesting twist: in Bb it is a chromatic chord (V7/vi), while in Gm it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on Cm → D7 (ii → V7/vi in Bb, iv → V7 in Gm): iv → V — the minor side's tension builder. The final chord is Gm; the ear comes to rest in Gm.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Güler Özince - Anladım Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Güler ÖzinceMusic: Güler Özince
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