Major view
D major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C# (leading tone, pulls home)
- 4 = G (the note that leans on the 3rd)
Furkan Manav - Moralim Çok Bozuk - Chord
Key D major – B minor Chords Bm, F#m, G, A Easy key C (capo 2)
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Key: D | Bm
Capo: 0
Bm F#m Bm F#m Bm F#m G A
Bm F#m
Hayatın ritmi kaçtı metronom mu açsak
Bm F#m
Her şeyi boşverip bir sigara mı yaksak
Bm F#m
Cepte para yok hırsızlık mı yapsak
G A
Moralim çok bozuk
Bm F#m
Burcuma baktım bu hafta çok kötüymüş
Bm F#m
Uranusle Mars birbirine küsüşmüş
Bm F#m
Jüpiter uzaktan bu duruma üzülmüş
G A
Moralim çok bozuk
Bm F#m
Bugün de işlerim yoluna koyulmadı
Bm F#m
Dileklerim daha kabul olmadı
Bm F#m
Geçmişe bir çözüm bulunmadı
G A
Moralim çok bozuk
Bm F#m
Artık azaldı hayal kurmalarım
Bm F#m
Başıma geliyor hep korkularım
Bm F#m
Ve de artıyordu gelecek kaygılarım
G A
Moralim çok bozuk
G A
Moralim çok bozuk
G A
Moralim çok bozuk
Bm
Düzelmiyor
Bm F#m Bm F#m Bm F#m G A
Bm F#m
Biri vardı bana beni hatırlatan
Bm F#m
Baktığımda dertleri unutturan
Bm F#m
O da gitti ardına bakmadan
G A
Moralim çok bozuk
Bm F#m
Ruhum henüz buna alışmadı
Bm F#m
Zihnim hiçbir şeyi unutmadı
Bm F#m
Mantığım bu işe karışmadı
G A
Moralim çok bozuk
Bm F#m
Ben sandım ki o da beni sevmişti
Bm F#m
Bu yüzden öyle güzel gülümsemişti
Bm F#m
Ama yanılmışım bana öyle gelmişti
G A
Moralim çok bozuk
Bm F#m
Oysa ben onun kusurlarını sevmiştim
Bm F#m
Ondan da aslında bunu beklemiştim
Bm F#m
Tam olarak burda hata etmiştim
G A
Moralim çok bozuk
G A
Moralim çok bozuk
G A
Moralim çok bozuk
Bm
Düzelmiyor
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Furkan Manav - Moralim Çok Bozuk Tabs
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Harmony analysis
Furkan Manav – Moralim Çok Bozuk: key and chord analysis
The song opens on Bm and ends on Bm. Its chords belong to both D major and Bm, so every chord below is read both ways.
Minor view
B minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = G (the minor's melancholy)
- b7 = A (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the B minor side because it both starts and finishes on Bm and Bm is heard 32 times while D never appears. That is an interpretation, not a rule — the same chords are just as valid seen from D major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | D | Tonic — home | D · F# · A | — |
| ii | Em | Supertonic — prepares the dominant | E · G · B | — |
| iii | F#m | Mediant — a tonic-family shade | F# · A · C# | 30× |
| V/vi | F# | Secondary dominant V/vi — leads to Bmsecondary dominant | F# · A# · C# | — |
| IV | G | Subdominant — moves away from home | G · B · D | 14× |
| V | A | Dominant — strongest pull home | A · C# · E | 14× |
| vi | Bm | Relative minor — the melancholy side | B · D · F# | 32× |
| vii° | C#dim | Leading-tone chord — tension | C# · E · G | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bm | Tonic — home | B · D · F# | 32× |
| ii° | C#dim | Supertonic — prepares the dominant | C# · E · G | — |
| III | D | Relative major — the bright side | D · F# · A | — |
| iv | Em | Subdominant — moves away from home | E · G · B | — |
| v | F#m | Minor dominant — soft pull | F# · A · C# | 30× |
| V | F# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F# · A# · C# | — |
| VI | G | Submediant — warm colour | G · B · D | 14× |
| VII | A | Subtonic — steps back to the tonic | A · C# · E | 14× |
Analysis
The key pair is D major and its relative B minor (2 sharps). 4 different chords appear 90 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- F#m Bm Diii → vi Bmv → inatural-minor cadence ×20
- G A DIV → VIV → V BmVI → VIIVI → VII ×14
- A Bm DV → videceptive cadence BmVII → iAeolian arrival ×10
The move to watch is F#m → Bm, heard 20 times. From the Bm side it is v → i (natural-minor cadence: gentle, modal arrival); from the D side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- D major pentatonic and B minor pentatonic are the same five notes (D – E – F# – A – B): start from D for a brighter phrase, from B for a bluesier one.
- Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
- Over F#m, land on F#, A, C# — the chord's own tones always sound right on strong beats.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With D major shapes
- No capo — open D shapes
- Capo 2 + C shapes
- Capo 5 + A shapes
With B minor shapes
- Capo 2 + Am shapes
- Capo 7 + Em shapes
Easiest keys on guitar
- 2 semitones down · capo 2 keeps the original pitch
- 3 semitones up
The song's harmonic story
The opening Bm lays a solid floor for everything that follows. Bm, F#m, G, A carry the song: vi–iii–IV–V relative to D, i–v–VI–VII relative to Bm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on F#m → Bm (iii → vi in D, v → i in Bm): natural-minor cadence — gentle, modal arrival. The final chord is Bm; the ear comes to rest in Bm.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Furkan Manav - Moralim Çok Bozuk Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Furkan ManavMusic: Furkan Manav
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