Pera - Seni Seviyorum - Chord

Key G major – E minor Chords G, Am, F#m7b5, Em, D, F#m Difficulty already in its easiest key

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Capo 0

Am
Sen ve ben, siyah ve beyaz
G
Sen ve ben, sıcak ve ayaz
F#m7b5
Sen ve ben, farklıydık biraz
G
Olabilir

Am
Sen ve ben, geceyle gündüz
G
Sen ve ben, yaz ile güz
F#m7b5
Sen ve ben, uzak ve küsüz
G
Olabilir

Am
Sen ve ben, bir film ve kitap
G
Neden hep mutsuz ve bitap
F#m7b5
Sen ve ben, rakıyla mehtap
G            Am           G
Olabilirdik, olabilirdik, olamadık

Em            F#m7b5              G
 Yağan her yağmur, açan her bir çiçek
              Am
Islanacak ama hepsi de bilecek
Em          D               G
 Seni seviyorum, seni seviyorum
           Am                   Em
Seni seviyorum ve bu hiç bitmeyecek

Am
Sen ve ben, düşkün ve hoyrat
G
Kalbimi söküp yere at
F#m7b5
Söyle bu nasıl bir hayat
G
Olabilir

Am
Sanma sözlerimdir yalan
G
Kaybolup gittiğin zaman
F#m7b5                  G
Ardına dönüp bir baksan güzel olabilir

Am
Sen ve ben, bir film ve kitap
G
Neden hep mutsuz ve bitap
F#m
Sen ve ben, rakıyla mehtap
G            Am           G
Olabilirdik, olabilirdik, olamadık

Em            F#m7b5              G
 Yağan her yağmur, açan her bir çiçek
              Am
Islanacak ama hepsi de bilecek
Em          D               G
 Seni seviyorum, seni seviyorum
           Am                   Em
Seni seviyorum ve bu hiç bitmeyecek

Em  F#m7b5  G  Am  Em  D  G  Am

G        F#m7b5    Am           G
Bir yolu var mı bilmem ama sonu var
F#m7b5  Em       Am          G
Bir olur desen, içim çiçek, içim bahar
               F#m7b5  Am          G
Bir anlamı var mı, biilmem ama bitiyorum
  F#m7b5     Em          Am      G      
İster inan ister inanma, çok seviyorum 

Em            F#m7b5              G
 Yağan her yağmur, açan her bir çiçek
              Am
Islanacak ama hepsi de bilecek
Em          D               G
 Seni seviyorum, seni seviyorum
           Am                   Em
Seni seviyorum ve bu hiç bitmeyecek

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Pera - Seni Seviyorum Tabs

NotesX

Harmony analysis

Pera – Seni Seviyorum: key and chord analysis

The song opens on Am and ends on Em. Its chords belong to both G major and Em, so every chord below is read both ways.

Major view

G major

Brightness rank 2/7 (bright)

Characteristic notes

7 = F# (leading tone, pulls home)
4 = C (the note that leans on the 3rd)

Minor view

E minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = C (the minor's melancholy)
b7 = D (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between G major and E minor because it comes to rest on Em and G is heard 27 times against 13 for Em. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from G major
Degree	Chord	Role	Notes	In song
I	G	Tonic — home	G · B · D	27×
ii	Am	Supertonic — prepares the dominant	A · C · E	20×
iii	Bm	Mediant — a tonic-family shade	B · D · F#	—
V/vi	B	Secondary dominant V/vi — leads to Emsecondary dominant	B · D# · F#	—
IV	C	Subdominant — moves away from home	C · E · G	—
V	D	Dominant — strongest pull home	D · F# · A	4×
vi	Em	Relative minor — the melancholy side	E · G · B	13×
viiø7	F#m7b5	Leading-tone chord — tension	F# · A · C · E	13×
vii	F#m	Chromatic colour chordoutside the key	F# · A · C#	1×

Seen from E minor
Degree	Chord	Role	Notes	In song
i	Em	Tonic — home	E · G · B	13×
iiø7	F#m7b5	Supertonic — prepares the dominant	F# · A · C · E	13×
ii	F#m	Chromatic colour chordoutside the key	F# · A · C#	1×
III	G	Relative major — the bright side	G · B · D	27×
iv	Am	Subdominant — moves away from home	A · C · E	20×
v	Bm	Minor dominant — soft pull	B · D · F#	—
V	B	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	B · D# · F#	—
VI	C	Submediant — warm colour	C · E · G	—
VII	D	Subtonic — steps back to the tonic	D · F# · A	4×

Analysis

The key pair is G major and its relative E minor (1 sharp). 6 different chords appear 78 times in total; 5 of them sit naturally inside the shared scale. F#m step outside the scale as colour chords.

Chord movement

Am Em Gii → vi Emiv → iminor plagal ×7
D G GV → Iauthentic cadence EmVII → III ×4

The move to watch is Am → Em, heard 7 times. From the G side it reads ii → vi; from the Em side it is iv → i (minor plagal: deep and melancholic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
Over F#m7b5, land on F#, A, C — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With G major shapes

No capo — open G shapes
Capo 3 + E shapes
Capo 5 + D shapes

With E minor shapes

No capo — open Em shapes
Capo 2 + Dm shapes
Capo 7 + Am shapes

Easiest keys on guitar

The song is already written in its easiest key for guitar.

The song's harmonic story

Starting on Am, the song gives away its key from the very first bar. The chords that keep coming back are G, Am, F#m7b5, Em; read them as I–ii–viiø7–vi in G or III–iv–iiø7–i in Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Am → Em (ii → vi in G, iv → i in Em): minor plagal — deep and melancholic. The final chord is Em; the ear comes to rest in Em.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.