Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Enes Batur - Dolunay - Chord
Key Eb major – C minor Chords Cm, Ab, G Easy key G
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Key: Eb | Cm
Capo: 0
Cm Ab Cm Ab G
Cm Ab
Susar, herkes susar
Cm Ab G
Her yer kural yıkın duvarları
Cm Ab Cm
Uğra, yanıma uğra bi yazı tuğra
Ab G
Bükelim tüm kolları
Cm
Koy koy yeni bi kat
Ab
Onuda geçeyim iyi fark
Cm Ab
Zoruna gidenin dili kurak
G
Kapalı kapıya çeneni tak
Cm
Boşver geri topla
Ab
Verdiğin değerin dili olsa
Cm
Kalbimi vurmuş gidiyorsan
Ab Cm
Acı diliyorsan ve de biliyorsan
Cm Ab
Kızgın güllerin üstüne düşmüş dolunayım ben
Cm Ab
Soldum bir daha geriye dönersem yok olayım ben
Cm Ab
Koştum bi firara beni ölmezsem yine ara
Cm
Kara kış gibiyim sobalara
Ab G
Bizi doldursun odalara
Cm Ab
Susar, herkes susar
Cm Ab G
Her yer kural yıkın duvarları
Cm Ab Cm
Uğra, yanıma uğra bi yazı tuğra
Ab G
Bükelim tüm kolları
Cm Ab
Normale dönücem hayatım versin istediğimi
Cm Ab
Zorlama düşerim şeytan duymasın dinlediğimi
Cm Ab
Koy baba gitsin ful rahvan zorlama kadere
Cm Ab G
Trip atma trip atma trip atma
Cm Ab
Kızgın güllerin üstüne düşmüş dolunayım ben
Cm Ab
Soldum bir daha geriye dönersem yok olayım ben
Cm Ab
Koştum bi firara beni ölmezsem yine ara
Cm
Kara kış gibiyim sobalara
Ab G
Bizi doldursun odalara
End of song Play again?
Enes Batur - Dolunay Tabs
NotesX
Harmony analysis
Enes Batur – Dolunay: key and chord analysis
The song opens on Cm and ends on G. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Minor view
C minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Ab (the minor's melancholy)
- b7 = Bb (natural-minor colour)
- #7 = B (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because it opens on Cm, Cm is heard 27 times while Eb never appears and the major V chord points straight at Cm. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | — |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | — |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | — |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | 9× |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 26× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | — |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 27× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 27× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | — |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | — |
| v | Gm | Minor dominant — soft pull | G · Bb · D | — |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | 9× |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 26× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | — |
Analysis
The key pair is Eb major and its relative C minor (3 flats). 3 different chords appear 62 times in total; 2 of them sit naturally inside the shared scale. The major V of Cm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Eb, the same G is V/vi, a secondary dominant heading for Cm.
Chord movement
- Ab Cm EbIV → vi CmVI → iVI → i ×17
- G Cm EbV/vi → vi CmV → iharmonic-minor cadence ×8
The move to watch is Ab → Cm, heard 17 times. From the Cm side it is VI → i (VI → i: falls a half step into home); from the Eb side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
- When G comes, swap the scale's Bb for B: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Eb major shapes
- Capo 1 + D shapes
- Capo 3 + C shapes
- Capo 6 + A shapes
With C minor shapes
- Capo 3 + Am shapes
Easiest keys on guitar
- 4 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
The opening Cm lays a solid floor for everything that follows. Cm, Ab, G carry the song: vi–IV–V/vi relative to Eb, i–VI–V relative to Cm. G is the interesting twist: in Eb it is a chromatic chord (V/vi), while in Cm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Ab → Cm (IV → vi in Eb, VI → i in Cm): VI → i — falls a half step into home. It closes on G, letting the Eb side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Enes Batur - Dolunay Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Emre ŞakarMusic: Emre ŞakarArrangement: Alican Özbuğutu
Özkan Meydan
Özkan Meydan
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