Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Hüsnü Arkan - Aşkı Gördüm - Chord
Key F major – D minor Chords Dm, Bb, A, F, C, Gm, Em7b5 Easy key C (capo 5)
No ratings yet
or your user informations
Make it yours
Text size
Key: F | Dm
Capo: 0
Dm
A gızım ben aşkı gördüm
Em7b5 Dm
Badem dalında açtı gördüm
F
Sabahın beşinde gördüm
C
Yalnızın düşünde gördüm
Bb
Şaşırdım deniz koktu hep
A Dm
A gözüm ben aşkı gördüm
F
Uyandım bir dağ başında
C
Yeşil oldum, ahlat oldum
Bb
Şarkılar biçti dalımı
A Dm
A gözüm ben aşkı gördüm
Gm Bb Dm
Aman aman, dayanamam
Gm Bb A
Aman aman, eskisi gibi olamam
Bb A Dm
Herşey olur, ben daha kendimi bulamam
Bb A Dm
Herşey olur, ben daha seni bulamam
F
Yağmur sesine uyandım
C
Hikayem bitti sandım
Bb
Bir garip oldum yandım
A Dm
A gözüm ben aşkı gördüm
F
A gözüm ben aşkı gördüm
C
Ayrılık vaktinde gördüm
Bb
Yaktı gördüm, yıktı gördüm
A Dm
A gözüm ben aşkı gördüm
Gm Bb Dm
Aman aman, dayanamam
Gm Bb A
Aman aman, eskisi gibi olamam
Bb A Dm
Herşey olur, ben daha kendimi bulamam
Bb A Dm
Herşey olur, ben daha seni bulamam
End of song Play again?
Hüsnü Arkan - Aşkı Gördüm Tabs
NotesX
Harmony analysis
Hüsnü Arkan – Aşkı Gördüm: key and chord analysis
The song opens on Dm and ends on Dm. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
- #7 = C# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because it both starts and finishes on Dm, Dm is heard 12 times against 4 for F and the major V chord points straight at Dm. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | 4× |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | 4× |
| iii | Am | Mediant — a tonic-family shade | A · C · E | — |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | 10× |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 12× |
| V | C | Dominant — strongest pull home | C · E · G | 4× |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 12× |
| viiø7 | Em7b5 | Leading-tone chord — tension | E · G · Bb · D | 1× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 12× |
| iiø7 | Em7b5 | Supertonic — prepares the dominant | E · G · Bb · D | 1× |
| III | F | Relative major — the bright side | F · A · C | 4× |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | 4× |
| v | Am | Minor dominant — soft pull | A · C · E | — |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | 10× |
| VI | Bb | Submediant — warm colour | Bb · D · F | 12× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | 4× |
Analysis
The key pair is F major and its relative D minor (1 flat). 7 different chords appear 47 times in total; 6 of them sit naturally inside the shared scale. The major V of Dm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from F, the same A is V/vi, a secondary dominant heading for Dm.
Chord movement
- A Dm FV/vi → vi DmV → iharmonic-minor cadence ×8
- Bb Dm FIV → vi DmVI → iVI → i ×2
The move to watch is A → Dm, heard 8 times. From the Dm side it is V → i (harmonic-minor cadence: the major V resolves dramatically); from the F side it reads V/vi → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- Over A, land on A, C#, E — the chord's own tones always sound right on strong beats.
- When A comes, swap the scale's C for C#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
- 2 semitones up
The song's harmonic story
The opening Dm lays a solid floor for everything that follows. The chords that keep coming back are Dm, Bb, A, F; read them as vi–IV–V/vi–I in F or i–VI–V–III in Dm. A is the interesting twist: in F it is a chromatic chord (V/vi), while in Dm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on A → Dm (V/vi → vi in F, V → i in Dm): harmonic-minor cadence — the major V resolves dramatically. Ending on Dm, the song seals Dm as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hüsnü Arkan - Aşkı Gördüm Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Hüsnü ArkanMusic: Hüsnü Arkan
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.