Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Servet Kocakaya - Doğum Günümde - Chord
Key Ab major – F minor Chords Cm, Fm, Bbm, Db, Cm7, Eb, Ab Easy key C
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Key: Ab | Fm
Capo: 0
Cm Cm Db Db Eb Db Ab Bbm Cm
Fm Cm Bbm Fm
Hiç kimseyi sevemezsin sandığım zamanlar
Cm Bbm Fm
Dalga kıransız bir çocuk bütün limanlar
Cm Bbm Fm
Kahramansız bir film gibi solar romanlar
Cm Bbm Cm
Figüranlar beni oynar doğum günümde
Fm Cm Bbm Fm
Kahramansız bir film gibi solar romanlar
Cm Bbm Cm
Figüranlar beni oynar doğum günümde
Db Fm Bbm Cm
Doğum günümde, doğum günümde
Cm Fm Cm
Bir an var ki unutulmaz derdi kederi
Fm Cm
Bir an var ki unutulmaz derdi kederi
Fm Cm Bbm Fm
Göçlere tok bir kent gibi mağrur durursun
Cm7 Bbm Fm
İstanbul'a benziyorsun doğum günümde
Db Fm Bbm Cm
Doğum günümde, doğum günümde
Fm Cm Bbm Fm
Başladığı yerde biter tüm yolculuklar
Cm Bbm Fm
Bir selamı eksik etme doğum günümde
Cm Bbm Fm
Gözlerimde sensizlikten gayrı nem kaldı
Cm Bbm Fm
Mahsuni'den bir türkü çal doğum günümde
Fm Cm Bbm Fm
Gözlerimde sensizlikten gayrı nem kaldı
Cm Bbm Cm
Mahsuni'den bir türkü çal doğum günümde
Db Fm Bbm Cm
Doğum günümde, doğum günümde
Cm Fm Cm
Bir an var ki unutulmaz derdi kederi
Fm Cm
Bir an var ki unutulmaz derdi kederi
Fm Cm Bbm Fm
Göçlere tok bir kent gibi mağrur durursun
Cm7 Bbm Fm
İstanbul'a benziyorsun doğum günümde
Db Fm Bbm Cm
Doğum günümde, doğum günümde
Fm Cm Bbm Fm
Başladığı yerde biter tüm yolculuklar
Cm Bbm Fm
Bir selamı eksik etme doğum günümde
Db Fm Bbm Cm
Doğum günümde, doğum günümde
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Servet Kocakaya - Doğum Günümde Tabs
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Harmony analysis
Servet Kocakaya – Doğum Günümde: key and chord analysis
The song opens on Cm and ends on Cm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because Fm is heard 31 times against 1 for Ab. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | 1× |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 24× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 33× |
| iii7 | Cm7 | Mediant — a tonic-family shade | C · Eb · G · Bb | 2× |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | — |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 8× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 1× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 31× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 31× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | 1× |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 24× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 33× |
| v7 | Cm7 | Minor dominant — soft pull | C · Eb · G · Bb | 2× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VI | Db | Submediant — warm colour | Db · F · Ab | 8× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 1× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 7 different chords appear 100 times in total; 7 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Bbm Fm Abii → vi Fmiv → iminor plagal ×15
- Cm Fm Abiii → vi Fmv → inatural-minor cadence ×10
- Db Fm AbIV → vi FmVI → iVI → i ×5
- Db Ab AbIV → Iplagal cadence FmVI → III ×1
- Db Eb AbIV → VIV → V FmVI → VIIVI → VII ×1
The move to watch is Bbm → Fm, heard 15 times. From the Fm side it is iv → i (minor plagal: deep and melancholic); from the Ab side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The first chord is Cm; the ear learns where home is within a second. Cm, Fm, Bbm, Db carry the song: iii–vi–ii–IV relative to Ab, v–i–iv–VI relative to Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bbm → Fm (ii → vi in Ab, iv → i in Fm): minor plagal — deep and melancholic. It closes on Cm, letting the Ab side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Servet Kocakaya - Doğum Günümde Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Servet KocakayaMusic: Servet Kocakaya
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