Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Murat Kekilli - Çılgın - Chord
Key C major – A minor Chords E, Am, G, F, Dm, C, Bdim, D#dim Difficulty already in its easiest key
No ratings yet
or your user informations
Make it yours
Text size
Key: C | Am
Capo: 0
Am G F E Am G Seni çılgın hadi oradan F Dm E Seni sevdiğimide nerden çıkardın, nerden çıkardın Am G Seni çılgın hadi oradan F Dm E Sana vurulduğumu da nerden çıkardın, nerden çıkardın Dm C Ne vücut ölçülerin ne masum güzelliğin E Beni hiç mi hiç alakadar etmiyor E E F G Am Bdim Taanrııııııııııııım D#dim E Bu söylediklerimin hepsi yalan Am Bana bir gülüyorsun ya G Hani murat diyorsun ya F E Hani bakıyorsun ya göz bebeklerimin içine Am G Sen bana aldırma gel yağmura ne gerek var gel F E Sana sırılsıklam aşığım gel
End of song Play again?
Murat Kekilli - Çılgın Tabs
NotesX
Harmony analysis
Murat Kekilli – Çılgın: key and chord analysis
The song opens on Am and ends on E. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
- #7 = G# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the A minor side because it opens on Am, Am is heard 6 times against 1 for C and the major V chord points straight at Am. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | 1× |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | 3× |
| vii°/iii | D#dim | Secondary leading-tone chord vii°/iii — leads to Emsecondary dominant | D# · F# · A | 1× |
| iii | Em | Mediant — a tonic-family shade | E · G · B | — |
| V/vi | E | Secondary dominant V/vi — leads to Amsecondary dominant | E · G# · B | 9× |
| IV | F | Subdominant — moves away from home | F · A · C | 6× |
| V | G | Dominant — strongest pull home | G · B · D | 6× |
| vi | Am | Relative minor — the melancholy side | A · C · E | 6× |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | 1× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | 6× |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | 1× |
| III | C | Relative major — the bright side | C · E · G | 1× |
| iv | Dm | Subdominant — moves away from home | D · F · A | 3× |
| vii°/v | D#dim | Secondary leading-tone chord vii°/v — leads to Emsecondary dominant | D# · F# · A | 1× |
| v | Em | Minor dominant — soft pull | E · G · B | — |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | 9× |
| VI | F | Submediant — warm colour | F · A · C | 6× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | 6× |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 8 different chords appear 33 times in total; 6 of them sit naturally inside the shared scale. The major V of Am brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from C, the same E is V/vi, a secondary dominant heading for Am. D#dim acts as a secondary dominant, briefly pointing at another chord of the key.
Chord movement
- E Am CV/vi → vi AmV → iharmonic-minor cadence ×4
- Dm E Cii → V/vi Amiv → Viv → V ×2
- G Am CV → videceptive cadence AmVII → iAeolian arrival ×1
- F G CIV → VIV → V AmVI → VIIVI → VII ×1
The move to watch is E → Am, heard 4 times. From the Am side it is V → i (harmonic-minor cadence: the major V resolves dramatically); from the C side it reads V/vi → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over E, land on E, G#, B — the chord's own tones always sound right on strong beats.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
- When E comes, swap the scale's G for G#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The opening Am lays a solid floor for everything that follows. The backbone is E, Am, G, F — V/vi–vi–V–IV from the C side, V–i–VII–VI from the Am side. E is the interesting twist: in C it is a chromatic chord (V/vi), while in Am it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on E → Am (V/vi → vi in C, V → i in Am): harmonic-minor cadence — the major V resolves dramatically. The final chord is E; the ear comes to rest in C.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Murat Kekilli - Çılgın Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Murat KekilliMusic: Murat Kekilli
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.