Tuğba Yurt - Cennetim Olsun - Chord

Key Db major – Bb minor Chords Bbm, Ebm, Fm Easy key C (capo 1)

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Capo 0

Bbm   Ebm 

Bbm
Ömürlük sandığım
 Ebm 
Uzun yol arkadaşım
   Fm 
Bittik mi harbiden
         Bbm
Biz seninle

       Bbm
Baktın öyle veda gibi
        Ebm
Sonra kayıp gitti gözlerin
     Fm
Ardından baktım ama
         Bbm
O gün bitti

        Bbm
İzlerin hiç silinmiyor
        Fm
Ne tenimden ne kalbimden
      Ebm
Bensizken geçebildin mi
         Fm          Bbm
Tanıştığımız o yerlerden

       Fm 
Unutamadım buram buram
            Ebm
Kokun üzerimde haberin olsun
       Fm   
Alışamadım haram geceler
            Ebm         Bbm
Hadi dön gel cennetim olsun

        Fm
Tutunamadım kimselere
            Ebm
Sana benzemeyen hiç bir şeye
       Fm
Alışamadım haram geceler
            Ebm         Bbm
Hadi dön gel cennetim olsun

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Tuğba Yurt - Cennetim Olsun Tabs

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Harmony analysis

Tuğba Yurt – Cennetim Olsun: key and chord analysis

The song opens on Bbm and ends on Bbm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.

Major view

Db major

Brightness rank 2/7 (bright)

Characteristic notes

7 = C (leading tone, pulls home)
4 = Gb (the note that leans on the 3rd)

Minor view

Bb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Gb (the minor's melancholy)
b7 = Ab (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Bb minor side because it both starts and finishes on Bbm and Bbm is heard 9 times while Db never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Db major
Degree	Chord	Role	Notes	In song
I	Db	Tonic — home	Db · F · Ab	—
ii	Ebm	Supertonic — prepares the dominant	Eb · Gb · Bb	8×
iii	Fm	Mediant — a tonic-family shade	F · Ab · C	8×
V/vi	F	Secondary dominant V/vi — leads to Bbmsecondary dominant	F · A · C	—
IV	Gb	Subdominant — moves away from home	Gb · Bb · Db	—
V	Ab	Dominant — strongest pull home	Ab · C · Eb	—
vi	Bbm	Relative minor — the melancholy side	Bb · Db · F	9×
vii°	Cdim	Leading-tone chord — tension	C · Eb · Gb	—

Seen from Bb minor
Degree	Chord	Role	Notes	In song
i	Bbm	Tonic — home	Bb · Db · F	9×
ii°	Cdim	Supertonic — prepares the dominant	C · Eb · Gb	—
III	Db	Relative major — the bright side	Db · F · Ab	—
iv	Ebm	Subdominant — moves away from home	Eb · Gb · Bb	8×
v	Fm	Minor dominant — soft pull	F · Ab · C	8×
V	F	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	F · A · C	—
VI	Gb	Submediant — warm colour	Gb · Bb · Db	—
VII	Ab	Subtonic — steps back to the tonic	Ab · C · Eb	—

Analysis

The key pair is Db major and its relative Bb minor (5 flats). 3 different chords appear 25 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Ebm Bbm Dbii → vi Bbmiv → iminor plagal ×3
Fm Bbm Dbiii → vi Bbmv → inatural-minor cadence ×3

The move to watch is Ebm → Bbm, heard 3 times. From the Bbm side it is iv → i (minor plagal: deep and melancholic); from the Db side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Db major shapes

Capo 1 + C shapes
Capo 4 + A shapes
Capo 6 + G shapes

With Bb minor shapes

Capo 1 + Am shapes
Capo 6 + Em shapes

Easiest keys on guitar

1 semitone down · capo 1 keeps the original pitch
6 semitones up · capo 6 keeps the original pitch

The song's harmonic story

The first chord is Bbm; the ear learns where home is within a second. Bbm, Ebm, Fm carry the song: vi–ii–iii relative to Db, i–iv–v relative to Bbm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ebm → Bbm (ii → vi in Db, iv → i in Bbm): minor plagal — deep and melancholic. Ending on Bbm, the song seals Bbm as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.